Friday, 26 December 2008
Dream#11
I am a gentle white cat
From the stars
I can fly when needed
I am part of something
Integral to salvation
The sadness is overwhelming
Something terrible has
Flown over the village
Leaving a trail of destruction
In its' wake
Fire and blood abound
Bodies strew the path they ran
Quiet singing fills the air
The lament permeates all
The dead lie draped over things
A grisly procession
A massacre on a vast scale
I swoop over the carnage
Following this macabre route
Through the streets
And into the village graveyard
Where naive innocents
Had fled that fateful day
In search of safety or protection
They lead me gliding over
The Church itself
Where the roof has been torn off and burned
And the breathless are bountiful
My immortal tears are falling
Glittering to the ground
Falling on everyone and everything
In the knowledge I could not have helped
I wasn't there
I was in heaven
Dream#10
Rise above houses
Towering higher than
The whole skyline
Castles floating away
As I try
To find batteries
For my camera
Lights pierce clouds
They are evidently
Going to speak
To the stars
This is of
Such great importance
The spires gather
Celestial colours beam
I follow them
Around the house
I grew up in
But it's over
Lights go out
Towers are dull
Summer is gone
I am alone
Wednesday, 17 December 2008
My Artwork: Obake Series #1 樹木子
Jubokko/Vampire Tree
Anyone who knows me knows I love Japan. And J-Horror. I'm talking the good stuff; Junji Ito & Suehiro Maruo comics, and some Tartan Asia Extreme films such as Tale Of Two Sisters. I have always had a passion for ghosty goodness; it fascinates me.
At the moment, I have a growing obsession with trees and the folklore surrounding them. This piece begins a series based on Japanese Folklore and Obake (ghosts) & Kami (spirits). It is said a lot of these spirits live in trees or haunt them, and I am increasingly interested in why trees seem to hold a certain powerful energy of sorts, seeming to be used throughout the world's folklore in a variety of different supernatural ways.
'Jubokko are said to thirst for and suck blood. According to some tales, they were born by growing near carnage places or battlefields where so much blood was shed on the ground that it was sucked up in great quantities by their roots.
Folklore stipulates Jubokko are not like other trees; if a jubokko is cut, it will bleed red blood. However, they are also fast healers and any branch taken from a Jubokko, with permission, can be used to heal and purify. Jubokko may also hide themselves amongst other trees and bushes, and they may even appear to alter the flora around them. They may make it easy for someone to become lost in the nearby forest, through communication with other plants.'
Saturday, 13 December 2008
Dream#9
Fuzzy pictures
Fragmented pages
Perfect clothes
White tights
Brown shoes
A date
In the harbour
Secret things
Between us
Dangerous information
Shack nearby
Garbage landscape
Old Camera
Holds dark things
Murderous evidence
Pier games
Watery noises
Winter sea
Pretend love
Covering tracks
Picking through rubbish
Tiny kitten
Blackest fur
Runs toward
Down corridor
Ending dream
Speaks joyfully
'I am here!'
Thursday, 11 December 2008
Japanese Artist Akino Kondoh
She is one of my biggest influences, combining Japanese precision with unsettling subject matter.
Her obsession with the feminine and how it affects female lives is vividly depicted in her artwork, using imagery such as young girls, insects, splashes of colour (red is often used) on black and white drawings and fur/flowers.
Reminds me of a Bjork lyric from 'Sun In My Mouth';
"...I will wade out until my thighs are steeped in burning flowers..."
She has also created a series of animation pieces, this one is my favourite.
I found it about five years ago and haven't stopped watching it yet...
Densha Kamo Shirenai
Densha Kamo Shirenai/Maybe A Train by TamaNo one knows that I'm not here now
I'm waiting for you to tell you secretly
Hey, it's almost time now
The time for us children who are bad at physics
To go walking about in the air
In the evening, click-clack, train jerks into motion
In the dusk sky
We are children born bodiless
No one knows that I'm not here now
I'm waiting for you to tell you secretly
Hey, in the lonely plaza
We children who don't know arithmetic
Are spilling sand from our ears
In the kitchen, clink-clank, the train goes by
Into someone else's house
We are children born bodiless
In the evening, click-clack, the train is running
In the dusk sky
We are children born bodiless
We are children born bodiless
Friday, 5 December 2008
Dream#8/Taxidermy
Last night
I found a tiny deer
In my dreams
Quiet and tender
As a weak kitten
Small and tan coloured
We went to live
In a house full of
Old furniture
And peeling, patterned velour walls
Bureaus and tarnished mirrors
Nailed to the ceiling
Settling in a small room
With high walls
Covered from the floor up
In bookcases and old paper
Thousands upon thousands
Of dusty books remain
And will remain
As we do;
Moth cocoons
Quiet and content,
And even after we are
Gone
Wednesday, 26 November 2008
Dream #7
Always cats
This time
Real cats made from
Old patterned fabric
And sawdust
Badly sewn together
Coming adrift at the
Seams
Cloth covered tiny fangs
And trapped kittens
Every dream sees me
Trying to keep track
Of where the defenceless
Have crawled
All this as I make a mess of a beautiful garden
Attempting to plant
Fallen boughs
Covered in white blossom
Sunday, 23 November 2008
Dream #6
I'm a teaching assistant
It's a new job and I'm nervous
Trying my best not to
Lose face in front of the kids
A close friend visits me in class
She's terminally ill
And pregnant
She knows her baby won't make it either
All because of one night of
Weakness
When she let her years long
Guard down
I was sleeping next to her then
Doesn't look like herself anymore
Sickly yellowed and clammy
Weak
But still quipping in that usual way
This time I can actually feel the tears
Pouring down my face
Sunday, 16 November 2008
Dream #5
I investigate while she is sleeping upstairs, using a small brown dog to sniff out suspicious areas in the house. His senses lead him into small spaces where only he can fit. We fear the Woman is a witch of sorts, and is dismembering campers for some dark purpose.
When the dog smells blood, I do.
I head back to camp to tell the others about things, but they are nowhere to be found.
I hear clattering up at the farmhouse, as if I have unwittingly woken the Woman.
The dog has become my cat.
Urgency.
Cat & I must leave a.s.a.p.
After running for a long time,
Constantly checking she is ok,
Pulling her out of scrapes as she runs beside me,
I come to a different place.
It's very quiet.
Pine trees, blue-grey light.
Hazy, white winter forest at dusk.
Too still.
Unease.
Thick snow is falling.
Figures between the trees draw closer around me.
They are gentle and kindly; human shapes with animal heads.
Some are like deer, some woodland animals.
Tentatively walking around as deer might, serene but wary.
Suddenly, it dawns on me that these are the missing people from the farm, transformed by dark magic. Given the mentality and qualities of docile, skittish innocents, they are perfect victims for the Old Woman, as they don't put up much of a fight.
The place is a beautiful tomb.
Although the creatures don't seem to recollect their metamorphosis, enough fragments of memory seem to exist in them to make them furtive. I explain everything and set out to put things right, all the time feeling tracked and hunted.
Finding a chart on a wall somewhere, I realise I need to find a particular shaped hole in some ice in order to break us free of this place. Another clue to our escape is a list of names next to the diagram of the hole.
The animals gather around me, afraid.
A frantic chase ensues with the unseen enemy, across the landscape.
Eventually finding the correct ice-hole, I shatter the surface, and we dive in en force.
Change of scene, change of worlds.
In a stormy night sea alone.
A yellow fish trying to steal my crown.
I plunge in and out of the heavy waves to dodge it.
On the creaking wreckage of a ship now.
Shark circling fathomless water below.
She has a shark body and a human head, with blonde hair.
In a immense crash of waves and spray, she leaps through the bough onto the ship, with an unearthly, deafening scream.
Utter pain, anger and loss.
Thrashing and shrieking through a storm of her creation,
She is weeping the ocean from her eyes.
Tuesday, 11 November 2008
Dream #4
Large, beautiful cottage painted white
Early autumnal sunny day
Light streams through the house
Amazing kitsch things
I love this place
Everyone I know past and present is here
I find two old keys
Each with something different inscribed on them
Can't remember what they say
All I know is I'm crying endlessly
Hiding away in secret rooms alone
Behind the fireplace
A kind woman is looking after me
Tears keep coming
Saturday, 8 November 2008
Dream #3
My fiance and I are housesitting for a friend of mine. Her house is epic in size, huge apartments the size of mansions. The paint has been bright in previous years, but is now dull and peeling.
She has a grey rabbit.
She tells us the house is 'very' haunted, and recounts a couple of sightings. The first is of someone trudging to the corner of her living room, and standing there, head hung low. The second takes place in the large surrounding gardens, viewed from her top floor. A woman with long straight sixties style hair sits naked in ferns in a flower bed, laughing. She appears to be reacting nervously to a lover not yet visible. Suddenly, her expression changes to one of fear, and holding a pale arm above her face, she screams silently as the grey hunched figure of a man takes her head clean off with a shovel. He digs underneath the body, and covers it.
She is convinced by seeing this scene re-enacted over time that there is a something buried in that area. All this seems disturbing to her, yet there is an air of putting up and getting on with things.
I get a sense that there are so many ghosts here it's unimaginable.
She leaves to go to a roof garden party nearby. Later I see her, drunk and giggling, exposing her white tights and crotch to the world.
I have to care for her rabbit while she is gone, so my partner and I take it outside. We know we must, without fail, get it out of the area completely hidden from view, as if we were to expose it near the 'grave', the ghost would rise and something unbelievably horrible would happen.
The rabbit comes adrift from the bag/paper I have secured it in, so I stop to wrap it up. I try to disguise it as a kind of wrapped bread. Somehow this is a like changing a baby, I'm coaxing and cooing to it as I do so, assuring it everything will be fine. Partner keeps a furtive lookout.
The rabbit speaks back in a soft voice, neither male nor female. Can't understand what it is saying.
Sense of encouragement and sadness in its' words.
But we know it's too late. Exposing the rabbit has already set a rising dread into motion.
The air is thick.
Dream #2
I catch them one by one, knowing she is gone.
Still bleeding.